• reduced.

    November 6, 2021 was the one year anniversary of my breast reduction.

    I know this isn’t something I really must share, and thus far I’ve only talked about it with close family and friends. However, I’m a proponent of openness – especially when it comes to women’s health issues that are ignored (or, worse, considered shameful). Plus, throughout this process I benefitted from talking to and reading the stories of those who chose to do the same. 

    Truthfully, I had wanted this for years. I was already somewhere around C cup by 6th grade, and my boobs just kept growing along with me. My last pre-surgery size guess (because I mostly stopped wearing underwire bras about two years pre-reduction) put me around a H or I cup. As a teen who grew up in purity culture, when your body could cause others to sin, I hid them in shame. After I left that culture, I continued hiding my true shape out of discomfort. They also caused a variety of health issues – rashes, shoulder pain, etc. – that would not go away. It was rashes and skin issues that were the worst of it for me.

    So, while at first glance it miiiiight seem a poor choice to undergo an elective surgery in 2020 with no end to the pandemic in sight, the truth is I may have never done it without this forced slowdown. Months of solitude made me think about my life choices and things I wish I’d done or wanted to do. I knew that having surgery in a year where I could really rest (no social obligations and vacation time squirreled away for nothing) was my chance. Plus, I work for a hospital and I understood and felt comfortable with the safety precautions in place for patients.

    I decided to go in for a consultation in the summer of 2020 to see if I would be a good candidate for surgery. I was measured and poked. Photographs were taken and turned into insurance. After a note from my doctor about recurring rashes, I was approved easily. The fact that insurance agreed (based on the size of the reduction I would require and the physical issues I haand I didn’t have to fight for approval? Well, it helped solidify the medical benefits of the surgery in my mind. (Though I know insurance will fight people on MANY things that are necessary, this kind of surgery included, so take all that with a grain of salt.)

    The one real hesitation I had (aside from just SURGERY) is that I wondered if doing this thing – altering my body forever – would mean that I was setting a bad example for body neutrality or somehow conveying a kind of negative viewpoint to people with breasts like my former pair. However, I don’t think I would have felt good about having this done if I hadn’t embraced my body as it was before.

    I didn’t hate my old boobs – Boobs 1.0. They were a pain, but they were pretty and sometimes sexy and always good at helping hold my phone or keys in a pinch. I just decided that a smaller size would improve my life in more ways than would clinging to any hang-ups I had about not being a good advocate for all bodies. Once I started researching and chatting about it, I learned that it’s much more common than you might think. It seemed most people I knew also knew someone who’d had one and found the benefits outweighed the temporary pain of recovery. This was a choice about my own discomfort and what I did to change it. That’s the crux. But body neutrality – and supporting (ha!) my happy large-bosomed buddies – is part of the reason I’m not sharing a before and after photo. I know how triggering they can be from a weight loss standpoint. This isn’t the same, but any big body change can be hard to view objectively. Just trust me, there’s a (five pound!) difference. If you are a friend or stranger who loves your large boobs, know that I’m happy for you!

    Tiny side note: I also wanted to have the surgery while I was single. I did not want input from men on what to do with my body, or feel pressure to keep my breasts big to the detriment of my own comfort. I’m sure not all men (haha x infinity) would be opposed, but I didn’t want any pressure from sources that didn’t understand what it felt like to be in my body.

    So, what was surgery and recovery really like? Well, I was extraordinarily nervous about the whole thing. They wheel you down to the operating room wide awake. The anesthesia team takes you from there, but my goodness those moments before it kicks in were the worst. After a 3-4 hour surgery and a bit of recovery time in the hospital, I was sent home for two weeks to heal. It really wasn’t so bad. I got along just fine without prescription pain killers (thank you Motrin). The two worst things for me were 1) the drains I had for the first week and 2) sleeping on my back.

    As for the first, I had a drainage tube coming out of each side. They were long and unwieldy, and I had to be careful not to accidentally sit on one or snag them on doorknobs and such. My mom – my iron stomached caregiver saint – was the one to clear the drains twice a day for a week, measuring the output of each and recording it for my physician. We found after the first attempt (during which I almost fainted) that I needed to hold the origin point of each drain while distracting myself with YouTube videos. It worked well. They were removed after a week (quite painfully, but I just wanted them GONE). I was finally free to shower, praise be.

    The sleeping thing was tricky. I never, ever sleep on my back and I knew it would be a struggle. I tried pillows under my legs and lower back. I tried propping myself up. I ended up with legs falling asleep and pinching sensations. What finally worked was sleeping on my couch for a few weeks. Somehow that density and configuration allowed me some rest.

    In reality, healing took much longer than the two weeks I’d mentioned above. This is a major surgery, and I’m not making light of it. I believe it was around the six-week mark I was able to start sleeping on my side again. Heaven! Time kind of blurs together after that, but it was in January 2021 that I was released to wear and do whatever I wanted (within pandemic reason). I continued to have some stitches work their way out. Some sore spots and weirdness. But I am happy to say I had no major complications. By early spring I was comfortable.

    I wanted to wait until I’d had time to heal to write about this. My scars – though faint – will always be around. I really don’t mind them. It took time to get used to my body now and how my belly no longer hides behind pendulous appendages. I was already very used to body image struggles pre-surgery, so perhaps I’ve adjusted better than some. The only downside, to be quite TMI honest, is some continued numbness (as is fairly common with large reductions). All considered, I would do it again in a heartbeat.

    I’ll leave things there for now. I feel better. Clothes fit more proportionally. I’m able to exercise easier. I don’t have rashes any longer. Hell, I don’t always have to wear a bra! Last year was terrible in most ways, but it was great in this one way for me. Happy anniversary, Boobs 2.0.

    Comments Off on reduced.
  • starting fresh.

    I try to start things with the very best intentions. That includes this ol’ blog from…oh, 2019? Yeah. I posted a couple of times and then life happened and I stopped. And then a pandemic happened and my motivation just kept digging itself further into the sand. But hey! I’m here, and I’m feeling the need to write, to share, to connect with other people again.

    A photo of a deflated, upside down smiley face balloon tied to a telephone pole.
    A 2020 mood.

    Though my writing dried up in 2019, I did keep up with my original intention of trying new things. I may pull from some of those experiences for upcoming topics; the ones that are timeless and meaningful (and that I remember well!). I also have a couple of trips planned this fall, now that vaccinations are here and I *think* I’ll be comfortable getting on a plane. Savannah, GA, and the Isle of Palms (near Charleston) are a definite go!

    Travel and trying new activities were the two biggest pieces of my previous blog pie, but I’m also going to expand my own self-imposed limitations. I’m working through a religious deconstruction process currently, and it’s heavy on my mind. I think allowing some writing on the topic could help me, and hopefully others, process similar experiences. Or, at a minimum, it will show what it’s like for someone going through it in hopes of fostering more empathy from those still of (primarily evangelical) faith.

    Finally, I’m considering a new career and education to support that. Perhaps I’ll share more when I make a real decision. For now, just know that topics could range more widely than originally intended. It’s probably not great for carving out my writing niche, but who cares. If I’m not approaching these personal essays with authenticity, what’s the point?

    Anywho – that’s where I am. I want to write. I plan to write. I’ll do my best to write. I hope you enjoy whatever I manage to write. Stay tuned!

    Comments Off on starting fresh.
  • cake decorating.

    For this episode of Lindsey Does a Thing and Writes About It, we’re entering the beautiful, sugary world of cake decorating. A few weeks ago, a baker I admire on the ol’ ‘gram – Beca Lew of @rosegoldveganbakery – shared that she was hosting her first out-of-town workshop in Marshall, North Carolina in Whiskey Dog Wares‘ studio – just a short drive from Asheville. A few clicks and bucks, and I was signed up. Last Sunday was workshop day!

    Eight piping bags filled with varying shades of green frosting lie on top of a wooden table

    Now, cake decor isn’t a brand new learning experience for me. Many years ago, when I was a wee tween, I took a multi-week night class at a local vocational school with a friend from church. I made (and ate) my weight in frosting and butter mints. So. Many. Crumb. Coats.

    But I digress. I don’t make many cakes these days. I don’t go to church anymore, so there are no potlucks to urge on my competitive-for-no-reason baking nature. And I’ve become a pretty lazy cook in general. AND, last but not least, if I have cake around, I will eat said cake.

    Five, small frosted cakes are spaced out on top of a white paper background - two blue, one pink, one green, one yellow

    This workshop though, with Beca Lew, was perfect for someone like me. She arrived with adorable little two-layer cakes. They already had a rough base of frosting in varying colors – pale pink, blue, green, and yellow – so we could all get right to work with the pretty stuff. Does that make me sound shallow?

    To start out, we divided into two groups: a foliage group and a flower group. The foliage people (insert horror movie *scream* here: THE FOLIAGE PEOPLE) started piping leaves and succulents and fronds and cacti directly onto their cakes. Whereas the flower people (peace and love) created roses on pieces of wax paper stuck on top of a flat dowel. We then let them dry a bit before transferring to a foliage-d cake. I started as a flower person.

    Beca teaches the art of icing roses.
    Beca's tattooed hands hold a green piping bag, demonstrating how to make a ropey succulent cake topper

    It was a really fun workshop, and I like how my cake turned out. It wasn’t incredibly in-depth, because you can’t do in-depth in two hours on a Sunday afternoon. BUT. I learned that vegan buttercream tastes just as good as butter buttercream. I learned that I like the flavor of “regular” cake better than vegan, but I have a great deal of respect for the Rose Gold Vegan Bakery’s commitment to their ethical code. (She apparently had bottle baby kittens in the car that she cared for on the road. No kittens mixing with cake, unfortunately. I mean, health standards. But still – my DREAM. I guess I can do that at home?)

    My cake decoration mid-stream: folliage and cacti have been added. Icing roses wait to be affixed. Practice frosting scribbles surround.

    But, you ask, what were my two favorite things about the workshop? Well, I’ll tell you: 1. I got to get messy and creative in a way that is rare for me. I think it rare for adults in general – to be able to design on the fly in a temporary medium, choosing whatever color speaks to you in the moment, icing all over hands. 2. Related to that, everyone started out with similar “canvases,” but each end result was totally unique.

    The class group are gathered around the table, each person working intently and drinking La Croix sparkling water
    My finished cake - a white and green base, covered in shades of green folliage and cacti, plus purple and bright orange and purple roses. Piping bags surround.
    My grande finale.

    And that, my friends, is the story of my most recent educational endeavor. What’s next? Wait and see!

    Comments Off on cake decorating.
  • atlanta, georgia.

    Well, here we go: first travel post! I’ve been pondering my blog format, and one of those elements is how to frame trips I take. There are already plenty of bloggers and websites that create excellent, comprehensive city guides (see Design*Sponge, Apartment Therapy, etc.). And there are people with more free time and larger budgets to dive deeper and try all the things. I’m going to keep my travel guides true to my way of adventuring, which usually is a healthy ratio of budget-friendly art and food to introvert-friendly downtime.

    Atlanta

    So, let’s kick things off with Atlanta! I bought tickets (along with about a million other people) months ago to see the Yayoi Kusama: Infinity Mirrors exhibition at the High Museum of Art. Apparently, people are arriving at 3:00 a.m. to have a chance to buy same-day tickets, so yeah, I’m glad I bought ahead. I love art, but I’m not at the wait-for-hours-outside-in-winter level of love.

    The High Museum of Art, decked out in Kusama red

    I’m really glad I visited. The exhibition is one of those blends of art experience and cultural phenomena that I would have been disappointed to miss. I watched the documentary about Kusama’s life last fall – it gave me valuable context into her background and artistic practice and philosophy. I recommend it even if (especially if) you never see her work in person.

    Before my trip, I knew how much attention (on social media in particular) this travelling show had received at every stop. Colleagues wondered how many people who visited this exhibition would ever set foot in a museum again. Would this experience make a difference in their future art consumption? Were they just there for the selfie?

    Yayoi Kusama, Dots Obsession-Love Transformed into Dots, 2007, installed 2018

    I thought about this a lot during my experience. Many of my favorite works of art are accessible (like street art or public art) or participatory/interactive (e.g. Felix Gonzalez-Torres). Granted, I’m not an art historian or a curator – I’m coming from the perspective of more of a communicator/photographer/marketer type. Even so, I understand the value of limiting screen time and experiencing life beyond one’s phone. But I also believe that experiencing art is valuable, whatever the viewer’s original intent – we don’t know what fun or knowledge or new perspective they’ve taken away, how it will affect how they view the world, even subconsciously. Plus, taking photos and sharing experiences online creates an opening into a world for people who cannot visit themselves. And, finally, in regards to this artist in particular: Kusama wanted to be famous. Isn’t all of this social fandom playing into one of her own goals? At the end of this self-debate, I’ve decided that I’m an art-optimist with a populace preference (is that a thing?) and don’t mind the fanfare.

    Yayoi Kusama, Infinity Mirrored Room – Phalli’s Field, 1965/2016

    Final hot tip on Infinity Mirrors viewing: Two or three people go into each room at a time. Individuals aren’t allowed to go in alone. One attendant told me to ask if there are singles lines to queue into – it saved this solo viewer some time! Yes, I may have annoyed some couples, but that’s easy enough to do even if you aren’t in small, sparkly quarters together.

    It had been about eight years since I visited the High, for this Salvador Dali exhibition. Of course, I had to wander other galleries – spending most of my time in the Modern and Contemporary Art and Contemporary Design level. I appreciated the marble sculptures as well, which are newer on my personal art-love radar. I always feel like I need to choose a few things I really want to see when I visit a museum; a kind of art fatigue sets in. I start hurrying and not paying attention if I try to do too much at once. Plus, to paraphrase my mother, if you see everything you want to see in one take, where’s the reason to go back?

    Artist credits in image from front to back:
    Chauncey Bradley Ives, Undine Rising from the Waters, after 1859, marble. Gift of the West Foundation in honor of Gudmund Vigtel and Michael E. Shapiro. 2010.67.
    Chauncey Bradley Ives, Shepherd with a Kid, 1859, marble. Gift of the West Foundation in honor of Gudmund Vigtel and Michael E. Shapiro. 2010.66.
    Thomas Ball, Love’s Memories, 1873, marble. Gift of the West Foundation in honor of Gudmund Vigtel and Michael E. Shapiro. 2010.55.

    I hung out with a few favorite artists, including Frank Stella, Gerhard Richter, and Kara Walker. I discovered some new-to-me folks I want to learn more about, like Tejo Remy, Vernon Fisher, Florine Stettheimer, and Joseph Stella. I found out Robert Rauschenberg remade clay into the appearance of crushed cardboard, which serves as (I’m guessing) an inspiration point for a favorite ceramic artist of mine, Tim Kowalczyk. I also took photos of people and art together which is, you guessed it, another favorite thing to do. How many times can I use the word favorite in one paragraph? (Whispers favorite five times fast.)

    Artist credits in image from left to right:
    Robert Mangold, Four Color Frame Painting #1, 1983, acrylic and pencil on canvas, 111 x 105 inches. Purchase in honor of Karen Andrews, President of the Members Guild, 1994-1995, with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable. 1994.141. © 2006 Robert Mangold/ Artists Rights Society (ARS), New York.
    Ellsworth Kelly, Red Curve VI, 1982, oil on canvas, 74 1/4 x 140 1/2 inches. Purchase with funds from Alfred Austell Thornton in memory of Leila Austell Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable and High Museum of Art Enhancement Fund. 2002.3. © Ellsworth Kelly Foundation.
    Ellsworth Kelly, Green Curve, 1999, oil on canvas, 37 x 184 inches. Purchase with the Candler Bequest and High Museum of Art Enhancement Fund. 2001.12. © Ellsworth Kelly.
    Michael Helzer, Eight Part Circle, 1976, wood, 13 x 44 1/2 x 12 1/4 inches. Gift in memory of Xavier Fourcade by exchange with the artist. 1994.14 a-h.

    Okay. Enough art talk. What food I eat, you ask? I really enjoyed the matcha latte from Land of 1000 Hills. I did a juice grand slam (a baseball diamond of shots in order: wheatgrass, ginger, lemon, and cranberry) at Arden’s Garden. I was reunited with one of the great loves of my life, Jeni’s Ice Cream (where I went with Salty Caramel and Gooey Butter Cake). I resisted the croissant-as-big-as-my-face at Brash Coffee, but the coffee was great. I mean, I still had a pastry, just not a giant pastry. And finally, my hostess/friend Shelby (more on her in a minute), took me to one of her favorite Atlanta dinner spots: Tuk Tuk, where I could have eaten my weight in Roti and green curry.

    Left to right: Pastries at Brash Coffee, Roti and curry at Tuk Tuk, and ice cream from Jeni’s.

    What else did I do? Since Shelby is a fantastic photographer (proof here and here), we spent one afternoon with her graciously refreshing my manual photography knowledge and letting me try her lenses. Her cat served as model. We also visited all the cuties at the Atlanta Humane Society, and listened to a genius play the public piano outside of a movie theater, whom the ticket sales agent says comes once a week to practice and freestyle (see my saved Atlanta highlights on Instagram for that joy). Finally finally, I promise, we wandered shops for the aesthetics (East Fork Atlanta and Le Jardin Français – both so beautiful I could have melted into the ground and stayed forever) and samples (Savannah Bee Company honey, honey).

    Left to right: East Fork Atlanta, Atlanta Humane Society, Le Jardin Francais.

    How’s that for a recap? Till next time, Atlanta!

    All images © Lindsey Solomon; artwork credits listed.

  • committed to learning.

    an arrangement of pink erasers in various states of useYou know that game you play with your friends (or maybe yourself)? The one where you think about your ideal life? You think about what you would do if money was no object and your time wasn’t claimed. If you could really dream big, what would you plan?

    I’ve been considering that question, and, to be honest, I’m a little all over the place. Do I want to try a new career? Where do I want to travel? Should I go back to school? I’ve finally found the common thread, though: learning. Perhaps my penchant for picking up and dropping hobbies isn’t a sign of my lack of commitment, but for my love of learning. I love to learn. That’s my ultimate hobby. I grew up on a street called Vagabond Lane. Literally. It’s fitting, right?

    So, here we go! I intend for this blog to be about my favorite thing: learning and sharing knowledge. Maybe I go on a deep dive about tarot cards and give you the scoop or share my new favorite skincare product. Maybe I take a bread-baking workshop, and then I publish photographs of the experience and tell you why you should (or shouldn’t) sign up yourself. I don’t know exactly where I’m going. But isn’t that the best part of learning something new? I’m glad you’re here.

    What would you like to learn about with me? 

    Comments Off on committed to learning.